1913 E4 - Michael Gebert
Michael Gebert is the founder and co-moderator of NitrateVille, the online discussion site about vintage films of the silent era through the 1950s. Looking ahead to the advancements soon to come, his selections of almost...
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MY LUNCH BREAK
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1913 E3 - Julie K Allen
Julie K. Allen, professor of Comparative Arts and Letters at Brigham Young University, is the author of Screening Europe in Australasia. So it makes sense that her selections, each from a different country, would embody ...
1913 E2 - Shelley Stamp
This is the 100th episode and just two weeks past the second anniversary of The 5 Best Films of Every Year Ever! It’s a special episode made even more so by Shelley Stamp, Distinguished Professor of Film & Digital Media ...
1913 E1 - A Milestone Year?
1913 is considered by many to be a milestone year in the development of film grammar and industry. And it perhaps is, as is set up by this context-setting introduction and the conversations with guests to come for this s...
1912 E7 - The Ol' Power Players Hang in There
Although the 1912 season introduction asserted that “Hollywood was incoming,” the top picks for the year (fueled by a record number of submissions from guests!) is mostly made up of old power players, even if that power ...
1912 E6 - Paul (PT) Klein
Film historian and cultural critic Paul (PT) Klein’s work focuses on American filmgoing cultures. So even when discussing his sole foreign pick, the conversation dives into audience reception to his selections, then and ...
1912 E5 - Stephen Horne
Silent film accompanist and composer Stephen Horne has already composed for or accompanied a couple of his five multinational picks for 1912. But besides discussing the general aesthetic pleasures of his selections, he a...
1912 E4 - Marsha Gordon
Marsha Gordon, Professor of Film Studies at North Carolina State University, mostly highlights two directors credited with advancing film narrative with four picks. But she also sings the praises of a certain work of sto...
1912 E3 - Alison Strauss
As Founding Director of HippFest, Scotland’s first and only silent film festival, Alison Strauss is especially knowledgeable about the history of Scottish filmmaking and -going, as represented by three of her picks. But ...
1912 E2 - Tanya Goldman
Tanya Goldman, Assistant Professor of Film at Missouri State University, has a strong interest in what could variably be called “nontheatrical movies,” “minor cinema,” “useful films,” and other such phrases, reflected by...
1912 E1 - Hollywood Incoming
1912 seems to offer more threads of industrial, technological, and social changes in the global film industry than the previous few years, but maybe just because a few still recognizable names can essentially “headline” ...
1911 E7 - The Shorts Continue
The introduction to this 1911 season made a big point (or did it?) that the features have begun, and although the majority of the five most selected films from guests and listeners indeed operate in that mode, the vast m...
1911 E6 - Casper Tybjerg
Casper Tybjerg, Associate Professor of Film Studies at the University of Copenhagen, selects five films that reflect the advancement of narrative cinematic drama. Whether they offer visual and emotional spectacle or crus...
1911 E5 - Eva Hielscher
Eva Hielscher, head of film-related collections at Deutsches Filminstitut & Filmmuseum, selects a wholly international survey of 1911 films, jumping from country to country and genre to genre. This heterogeneous view of ...
1911 E4 - Thomas Christensen
Thomas Christensen is Curator at the Danish Film Institute, so it stands to reason that all of his selections hail from Denmark. All but one of them come in at “feature length” (and from the same director) as well, refle...
1911 E3 - Patrick Friel
Patrick Friel, educator and programmer, is very interested in non-narrative and experimental film. Therefore, his five selections totally fit into those designations (well, with one semi-exception), but each of them offe...
1911 E2 - Kathy Feeley
Kathy Feeley, professor of history at the University of Redlands, wrote Mary Pickford: Hollywood and the New Woman, so it makes sense that two of her picks center the film icon and pioneer, still in the early years of he...
1911 E1 - The Feature Begins?
1911 really feels like the beginning of the feature film. Oh sure, it didn’t suddenly define the output of the global film industry, but ambitious experiments from Italy, Denmark, Russia, and only very tentatively, Ameri...
1910 E7 - Legitimacy and Controversy
Hopefully you’re not too tired of hearing about how 1910 and its surrounding years are part of a transitional era, but this season’s conversations also revealed how diverse the global medium was at the turn of a new deca...
1910 E6 - Kathy Rose O'Regan
As Executive Director of San Francisco Film Preserve, Kathy Rose O’Regan works hard to highlight our shared film heritage. Her five picks certainly paint a picture of the international nuances of 1910 filmmaking, with ea...