ILM's David Vickery on combining practical and digital
Ian Failes from befores & afters chats to ILM creative director David Vickery about his experience combining practical and digital dinos on recent Jurassic World films.
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Technologie
Ian Failes
Ian Failes from befores & afters chats to ILM creative director David Vickery about his experience combining practical and digital dinos on recent Jurassic World films.
Ian Failes from befores & afters chats to Cary Phillips, who is Director, R&D Engineering Architect at ILM, about the development of Cari for 'Dragonheart.'
Ian Failes from befores & afters chats to 'Daredevil: Born Again' visual effects supervisor Gong Myung Lee and visual effects producer Fahed "Freddy" Alhabib, to break down the oner, the ship VFX, and the other invisible...
Ian Failes from befores & afters chats to visual effects supervisor Chad Wanstreet about the visual effects of season 3 of 'The Night Agent'.
Ian Failes from befores & afters chats to 'Star Trek: Starfleet Academy' visual effects supervisor Jason Zimmerman about virtual production, digital characters, space scenes and motion graphics.
Ian Failes from befores & afters chats to visual effects supervisor Sheena Duggal, and VFX supervisor and virtual production supervisor Jim Geduldick, about the newly released VES On-Set VFX Data Collection and Usage Gui...
Ian Failes from befores & afters chats to 'Ted' s2 visual effects supervisors Hoyt Yeatman and Blair Clark about the creation of the main character, and the deepfake work that went into the appearance of Bill Clinton.
Ian Failes from befores & afters chats to ILM's Ben Snow and Hayden Landis on the 25th anniversary of 'Pearl Harbor', looking back at key ILM innovations, including ambient occlusion, from the film.
Ian Failes from befores & afters chats to visual effects supervisor Tara DeMarco about 'The Boroughs', and the creature, environment, TV distortion effects and other VFX in the Netflix show.
Ian Failes from befores & afters chats to 'Murderbot' production visual effects supervisor Sean Faden.
Ian Failes from befores & afters chats to production visual effects supervisor John Haley about 'Wonder Man', including on the use of forced perspective miniatures.
Ian Failes from befores & afters chats to 'Marty Supreme' visual effects supervisor Eran Dinur about crafting the ping pong match VFX in the film.
Ian Failes from befores & afters chats to 'Remarkably Bright Creatures' visual effects supervisor Chris Ritvo about Untold Studios' delightful octopus in the film and how it was made.
Ian Failes from befores & afters talks to 'Man on Fire' visual effects supervisor Kevin Lingenfelser about the residential tower destruction, the lear jet sequence and that signature 'man on fire' moment with the main ch...
Ian Failes from befores & afters talks to the Sony Pictures Imageworks recipients about their Scientific and Technical Award stemming from stylized and artistic innovations on the 'Spider-Verse' films.
Ian Failes from befores & afters chats to Ben Morris, creative director at ILM London. Here we jump into two of the large projects he helped oversee at ILM, which were Star Wars: The Last Jedi, and ABBA Voyage. We go int...
Ian Failes from befores & afters chats to Rachel Rose, Director of R&D at ILM, about the development of virtual production and real-time tools, like StageCraft, and her work on the tools Block Party for rigging and Fez f...
Ian Failes from befores & afters chats to visual effects supervisor Jeff White, now creative director at ILM Vancouver, on his roles on the Transformers films, the development of BlockParty, that New York oner in The Ave...
Ian Failes from befores & afters chats to Rob Bredow, Senior Vice President, Creative Innovation at Lucasfilm, about his time at ILM.
Ian Failes from befores & afters chats to Wētā FX visual effects supervisor Sheldon Stopsack and animation supervisor Kevin Estey about 'A Minecraft Movie', including the character Malgosha.
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